James Cameron (Director) |
Quick Jump : 1986 Starlog #121 "Answers About Aliens"
|
Starlog Magazine, Issue #121. |
"Answers About Aliens" By James Cameron As the writer and director of ALIENS, I naturally prefer the sort of cogent criticism contained in Lisa Synder's letter (Starlog #116) stating "ALIENS is perfect!" However, since there were 11 other letters in the same issue containing compliants of flaws in logic, accuracy and asethetic execution, I thought I would take this opportunity to reply en masse.
I will take them in the order they were printed. First, P.B., who seems
otherwise to be a fairly well-researched student of ALIEN, points out incorrectly
that "LV-426 was a ringed planet." The unnamed
planetoid harboring the alien derelict ship, to which I gave the designation
LV-426, was in fact a moon of a ringed gas giant, which was occaisionally
glimpsed in the sky in ALIEN. The gas giant does not appear in ALIENS because
the exterior scenes on LV-426 have an unbroken cload cover or overcast, and the
space scenes are handled in a cursory manner, advancing the story without dwelling
on the wonders of interstellar travel, which so many other films have dones so well,
as their primary raison d'etre. You might say we approached LV-426 from the
other direction, and the ringed gas giant companion was out of frame.
B.'s next problem was "Why do the colonists not pick up the
derelict SOS?" by which I assume he is referring to the acoustic
beacon broadcasting a "warning." As some readers may know, scenes were filmed
but cut form the final release version of the film which depicted the discovery
of the derelict by a mom-and-pop geological survey (i.e: prospecting) team.
As scripted, they were given the general coordinates of its position by the
manager of the colony, on orders from Carter Burke. It is not directly stated,
but presumed, that Burke could only have gotten that information from Ripley or
the black-box filght recorder aboard the shuttle Narcissus,, which
accessed the Nostromo'son board computer. When the Jorden family, including
young Newt, reach the coordinates, they discover the derelict ship. Since we and
the Nostromo crew last saw it, it has been damaged by volcanic activity,
a lava flow having crushed it against a crock outcropping and ripped open its
hull. Aside from considerations of visual interest, this serves as a
justification for the acoustic beacon being non-operational.
B's idea that the company had already discovered the derelict is therefore unnecessary
and would invalidate Carter Burke's motives for attempting to bring back a sample
of the organism for study, and using such drastic means to do it.
The missing scenes also provide a more solid connecting link the the process of the
colony's infestation. We see Russ Jorden dragged back to their vehicle by his
wife with a "facehugger" parasite attached to his face. We see the wife call
the colony for a rescue party. It's fairly simple extrapolation to assume that
the progress of the organism through the enclosed and isolated population of the
colony followed much the same course, on a greater scale, as the life cycle of
the original Alien on board the Nostromo.
These scenes, as well as four or five others, which would certainly be of interest
to fans will be restored for the ABC airings of the film and, if all goes
well, in a "special edition" videocassette, running roughly 12 minutes longer
than the release of 137 minutes. No confirmed release date is set for either of
these, but stay tuned.
B's next beef is with the Alien Queen and for several reasons. His contention is
that she destroys the original intention of the missing scene in ALIEN. This is
perfectly correct, but I find it somewhat irrelevant since as an audience member
and as a filmmaker creating a sequel, I can really only be responsible to those
elements which actually appeared in the first film and not to its "intenetions."
ALIEN screenwriter Dan O'Bannon proposed life cycle, as completed in the unseen
scene, would have been too restricting for me as a storyteller and I would assume
that few fans of ALIENS would be willing to trade the final cat-fight between
the moms for a point of technical accuracy that only a microscopic percentage
of ALIEN fans might be aware of.
In my Version of the Alien life cycle, the infestation
of the colony would proceed like this:
Thus, even with the Queen's vast egglaying capacity, the Aliens are still
a parasitic form, requiring a host form a different spcies to create the
warrior or Queen stages of the life cycle. Since the warriors are bipedal
with two arms (H.R. Giger's original design), it may be infererd that the
fachugger is an indefferentiated parasite, which lays an egg inside a
host, but that the resulting form (chestburster through
adult) has taken on certain biological characteristics of its host.
This would account for the degree of anthropomorphism in the design.
One admittedly confusing aspect of this creature's behavior (which was
unclear as well in ALIEN) is the fact that sometimes the
warrior will capture prey for a host, and other times, simply kill it.
For example, Ferro the dropship pilot is killed outright while Newt, and
previously most of the colony members, were only captured and cocooned
within the walls to aid in the Aliens' reproduction cycle. If we
assume the Aliens have intellgience, at least in
the central guiding authority of the Queen, then it is possible that
these decisions may have a tactical basis. For example, Ferro was a
greater threat, piloting the heavily armed dropship, than she was a
desirable host for reproduction. Newt, and most of the colonists, were
unarmed and relatively helpless, therefore easily captured for hosting.
Please bear in mind the difficulty of communicating a life cycle this
complex to a mass audience, which, seven years later, may barely recall
that there was an Alien in ALIEN, let alone the specifics of its physical
development. I had a great deal of story to tell, and thorough re-education
would have relegated ALIENS to a pedantic reprise of Ridley Scott's film.
The audience seems to have a deepseated faith in the Aliens' basic nastiness
and drive to reproduce which requires little logical rationale. That
leaves only hardcore fans such as myself and a majority of this readership
to ponder the technical specifics and construct a plausible sceario.
KG deplores the Aliens as "lame, weak and shameful
follow-ups to their predecessor." A careful analysis of both films
would show that the adult warrior (my term for the single adult seen in
ALIEN) hs the same physical powers and capabilities in ALIENS as it did
previously. since the Nostromo crew were unarmed, with the
exception of flamethrowers (which we never see actually used against the
creature), the relative threat was much greater than it would be to an
armed squad of state-of-the-art Marines. A crazed man with a knife can
be the most terrifying thing you can imagine, if you happen to be
unarmed and locked in a house alone with him. If you're with 10 armed
police officers, it's a different story.
We set out to make a different type of film, not just retell the same
story in a different way. The Aliens are terrifying in thier overwhelming
force of numbers. The dramatic situations emerging from characters under
stress can work just as well in an Alamo or Zulu Dawn as
they can in a Friday the 13th with its antagonist.
JF discusses plot lines for ALIEN III but I can't comment, since Gale
Hurd, the producer of ALIENS, and myself have decided to move on to
other things and leave a third film to others.
BS asks where the Aliens originated. In
dialogue, I have Ripley specifically telling a member of the inquiry board,
"I already told you, it was not indigenous, it was a derelict spacecraft,
an alien ship, it was not from there." That seems clear enough.
Don't ask me where it was from...there are some things man was not
meant to know. Presumably, the derelict pilot (space jockey, big dental
patient, etc.) became infected en route to somewhere and set down
on the barren planetiod to isolate the dangerous creatures, setting up
the warning beacon as his last act. What happened to the creature that
emerged form him? Ask Ridley. As to the purpose of the ALIEN...I think
that's clear. They're just trying to make a living, same as us. It's
not their fault that they happen to be disgusting parasitical predators,
any more than a black widow spider or cobra can be blamed for its
biological nature.
DRL makes some interesting coments and yes, the design
of the "warrior" adult was altered slightly. His rationale for
this is as good as mine (that the individual in ALIEN never reached
maturity).
DL asks more questions about the derelict which, as a writer, I could
provide plausible answers for, but they're no more valid than anyone
else's. Clearly, the dental patient was a sole crew
member on a one-man ship. Perhaps his homeworld did know of
his demise, but felt it was pointless to rescue a doomed person.
Perhaps he was a volunteer or a draftee on the hazardous mission of
bio-isolating these organisms. Perhaps he was a military pilot,
delivering the alien eggs as a bio-weapon in some ancient interstellar
war humans know nothing of, and got infected inadvertently. "How
could the man who went onto the derilict not know something was wrong
when he saw the dead gunner?" Well, Dallas, Kane and Lambert saw the
dead gunner and that didn't stop them. Human curiosity is an powerful
force. As for the equipment left behind by the Nostromo crew
being a deterent, this requires that Jorden and the other colonists
enter the derelict throught the Freudian main door. In ALIENS (long
version), they enter through a large rent in the hull
caused by damage from the lava flow, going directly into the egg
chamber level.
AR takes exception to Ripley's ease of adjustment to 57 years of
technological change. First of all, ask yourself if an intelligent
and willful person from 1930 could or could not adapt to the
technology of 1987, given a few months of training. They had
automobiles (including traffic jams), machine guns and airplanes
then, only the specifics are different now. Conversely, however,
who could have dreamed of the impact of computers and video on our
current environemnt? A second point is that there a have been 57
year periods in history where little or no social or technological
change took place, due to religous repression, war, plague or other
factors. Perhaps techology had topped out or plateaued before the
Nostromo's flight, and changes upon Ripley's return were
not great. You decide. It doesn't bother Ripley, and it doesn't
bother me.
I hope this answers a few of your readers' concerns. I would like
to thank STARLOG for its support of our film thorugh articles
("Viva Vasquez"), movie books, etc. We'll keep you posted on
upcoming projects, several of which are science fiction.
By the way, it's not in the goddamed cat and it's not in Newt, either. I would never be that cruel. |
Back [home] |